2D Art
Gallery Four

(click on any image to enlarge)

Impressionist painting of an outdoor? dance at the Muolin de la Galette, Montmartre (Paris), France.  Note chandeliers hanging from skyhooks.  Located in the Musée d' Orsay in Paris, France.  From a 1974 museum postcard by S.P.A.D.E.M. Impressionist painting of a formally dressed couple dancing in town.  Located in the Musée d' Orsay in Paris, France.  From a 1980 museum postcard by S.P.A.D.E.M. Impressionist painting of a couple at a country dance.  Located in the Musée d' Orsay in Paris, France.  From a 1980 museum postcard by S.P.A.D.E.M. Jean-Frédéric Bazille's impressionist painting of a woman sitting on a low wall.  Located in the Musée d' Orsay in Paris, France. From a 1980 museum postcard.
Pierre-Auguste Renoir
Le Moulin de la Galette
1876
Impressionist painting of a reclining nude, her maid, and her cat.  Located in the Musée d' Orsay in Paris, France. From a 1980 museum postcard.
Pierre-Auguste
Renoir, La danse à
la ville, 1883
Pierre-Auguste
Renoir, La danse à
la campagne, 1883
J. F. Bazille, La
Robe Rose ou vue
de Castelnau, 1864
Impressionist painting of young boy playing a fife.  Located in the Musée d' Orsay in Paris, France. From a 1980 museum postcard. Impressionist painting of three people (plus one in background) looking out from a balcony.  Located in the Musée d' Orsay in Paris, France. From a 1980 museum postcard. Impressionist painting of a woman with a black boa.  Located in the Musée d' Orsay in Paris, France.  From a 1982 postcard by Fernand Hazan, editor.
Édouard Manet
Olympia
1863
Impressionist painting of a foursome relaxing in a wooded glen by the water after a picnic.  Located in the Musée d' Orsay in Paris, France.  From a 1982 postcard by Fernand Hazan, editor.
Édouard Manet
Le déjeuner sur l' herbe
1863
Édouard Manet
Le Fifre (The Fifer)
1866
Édouard Manet
The Balcony
1868-69
Toulouse-Lautrec
Femme au boa noir
1892

"These so-called artists style themselves Intransigeants, Impressionists... They throw a few colors on to the canvas at random, and then they sign the lot."

- Albert Wolff, a 19C critic, quoted in R. J. Boyle's book, American Impressionism, 1974.


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